African Literary Ecologies: Exploring the Intersections of Environment, Culture and Identity
DOI:
https://doi.org/10.5281/zenodo.15256767Keywords:
Ecocriticism, Cultural Identity, Feminist Theory, Post-colonial Literature, Urban inequalityAbstract
This paper explores Chibundu Onuzo’s The Spider King's Daughter through the lenses of ecocriticism, feminist theory, and cultural identity. It examines the protagonist’s struggle with privilege and societal realities, highlighting themes of resilience, gender agency, and the intersection of tradition and modernity. The study emphasizes how literature can illuminate issues of ecological sustainability and cultural preservation. Through her journey, Onuzo explores themes of privilege, resilience, and the quest for personal fulfilment, reflecting broader societal challenges. The analysis reveals the tension between tradition and modernity, illustrating how cultural identity is shaped by heritage and contemporary influences. Feminist perspectives are integral to this exploration, emphasising the agency of female characters who navigate patriarchal constraints. The relationships underscore the importance of solidarity and support among women in asserting their identities. By connecting these themes, this study situates Onuzo's work within broader discussions of ecological sustainability and cultural preservation, highlighting the significance of literature in addressing contemporary issues. The findings suggest that the novel serves as a lens through which readers can reflect on the complexities of identity formation in a rapidly changing world. Recommendations for further research include comparative studies with other African literature, investigations of urbanisation’s impact on cultural identity, and analyses of social media’s role in shaping modern narratives. Ultimately, this research contributes to a deeper understanding of how literature can reflect and influence societal narratives, enriching the discourse on identity in a global context.
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